Saloma’s iconic retro garments were displayed in custom-made showcases that allowed visitors to see them a 360 degree angle.
Puan Sri Datin Amar Salmah binti Ismail, more lovingly knownas Saloma, is a primadona who has had an immense influence on our nation’s music and film industry, particularly during the late 1950s to the early 1980s.
Though she is remembered mainly for her extraordinary singing and acting, she also had a true talent in cultivating her own style and identity. Therefore, it’s fitting that the nation’s first songstress has been crowned the “Icon of Retro Fashion,” as Saloma was a pioneer, trendsetter and fashion inventor.
Saloma’s outfits were very much part of her glamorous image and persona, complementing the way she sang, spoke and moved, as well as her coy gaze and magnetic smile. Always dressed to impress, Saloma was among the first in this country to merge fashion elements of the East and West. Her iconic garments included Kain Kapas, Peplum, Kain Sempit, Kain Belah and Kebaya Ketat, with added touches of Western elements. Due to her attention to detail, she also added personal embellishments in the form of sequins and beads, as well as stitching techniques and twining. During her heyday, young women across Malaysia and Singapore emulated her style from head to toe, including the way she wore her hair and accessories. Today, some of Saloma’s iconic and enduring retro fashions and silhouettes are again all the rage, experiencing a revival in contemporary fashion design.
In order to organise this landmark exhibition, which was held at the National Museum from 8 August to 31 October 2017, the Department of Museums Malaysia collaborated with the National Archives of Malaysia, as well as Saloma’s family and friends. 65 garments, in the care of the National Archives, were selected for the exhibition, and they were all handled with care using professional textile conservation techniques recognised by the International Council of Museums (ICOM). Some of the display methods used by the museum include the 3D invisible mounting system (bukrem and ethafoam), padded torso and mannequins, t-bars, hanging cylinders and padded slants. These methods were employed to ensure the sustainability of the collection, as well to maintain their aesthetics. However, museum curators and conservators were faced with a unique set of challenges in handling Saloma’s garments. This is because the garments are much smaller than average, due to Saloma’s very petite, slender figure. Therefore, the display supports they used had to be painstakingly handmade to size.
The warm response that the exhibition has received from the Malaysian public is testament that Saloma’s legacy has endured and will continue to do so in the future.
More than 500 artists from Australia, New Zealand, China, Hong Kong, Singapore, Philippines, Chile, and 90 galleries participated in the 3rd Sydney Contemporary Art Fair at Carriageworks. This 3rd edition international art fair saw some very interesting presentation including a white marble sculpture by Botero with the most expensive price of $575,000, an installation of a red room by Hiromi Tango, a naked human body giant sculpture by Garth Knight and many many more. It was a successful fair with more than 35,000 visitors. The organizers has decided to make this two-year-once art fair into an annual event in Sydney’s calendar.
Treasure Hunt 寻宝游戏
40 reputable dealers from all over Australia showcased some of the best antiques, art and collectibles in the Sydney Antique & Art Fair organized by the Australian Antique & Art Dealers Association. This four day event attracted many serious collectors and newbies going through the exhibition finding beautiful and sometimes rare pieces to add to their collections. According to General Manager Karen Lewis, it is getting harder to sustain this trade as the senior dealers are retiring and the younger generation are not as keen. Not to mention some have closed their shops and switched to selling online. More than 3000 visitors visited this event.
40名澳大利亚各地的知名经销商聚集悉尼古董艺术博览会，这项由澳大利亚古董与艺术品经销商协会所主办的活动上展示了珍贵的古董、艺术品和收藏品。而长达4天的展览会活动也吸引了许多资深收藏家和新手，他们借机物色一些珍稀美丽的收藏品。总经理 Karen Lewis 认为，随着高级经销商退休，年轻一代不热衷于古玩行业，维持行业的难度相对增大，还有些人关闭了他们的实体商店，转战网上销售。这个展览会有超过 3000名参观者。
Thai Airways International Public Company Limited (THAI) has recently launched its inaugural flight operating directly to Vienna. Marking first flight celebrations, THAI held a reception presided by Mrs. Usanee Sangsingkeo with the attendance of the THAI’s team from Thailand and Austria. Over 250 guests attended the inaugural flight reception at Palais Ferstel in Vienna, including His Excellency Mr. Songsak Saicheua, Ambassador Extraordinary and Plenipotentiary of Thailand to Vienna.
THAI’s direct roundtrip flights to and from Vienna, located in Central Europe and the gateway to Europe, will make it convenient for passengers to connect flights to various destinations operated by THAI in Europe. Currently, THAI flies to 12 destinations in 10 countries in Europe, including Copenhagen, Oslo, Brussels, Paris, Frankfurt, Munich, Zurich, Stockholm, London, Rome, Milan, and Moscow, which equates to more than 80 flights per week. Passengers travelling from Europe will enjoy travelling to Thailand at a flight time of approximately 10 hours, especially those travelling from Austria which means direct, non-stop flights from Vienna-Bangkok.
Vienna is renown for its revered residents, such as Mozart, Beethoven and Sigmund Freud. As the city of music, Vienna is famous for its classical composers and Imperial Palaces such as Schonbrunn Palace and Hofburg Palace, as well as the Museumsquartier baroque district.
THAI operates four roundtrip flights per week from Bangkok-Vienna utilising Boeing 777-300ER aircraft that is equipped with 348 seats consisting of 42 seats in Royal Silk Class with full flat beds that recline 180 degrees and 306 seats in Economy Class. THAI’s exceptional in-flight service has won the prestigious Skytrax 2017 World Airline Awards for the World’s Best Economy Class, World’s Best Airline Lounge Spa, and Best Economy Class Onboard Catering.
从泰国热带海滩直达冷峻宏伟的奥地利山脉将不再是梦想。泰国国际航空公共有限公司(Thai Airways International Public Company Limited-THAI)近日开通了首个直飞维也纳的航班。为了庆祝首航开启，泰航代理总裁Usanee Sangsingkeo 女士主持了一项由泰国和奥地利两地泰航团队参加的招待会。250多名嘉宾也出席了这项在维也纳费尔特斯宫的首飞庆祝会，包括泰国驻维也纳特命全权大使 Songsak Saicheua 阁下。
The Tulou in Fujian and Diaolou in Guangzhou provinces were self-built structures by the locals who were mainly living outside the fort located deep inside the hilly or mountain areas. Both of these amazing architectural wonders were inscribed as UNESCO World Heritage Sites in 2007 and 2008. Today, these heritage sites are becoming more of a tourist attraction than a residential area as they have attracted visitors from different parts of the world.
In the past, the commoners were given protection by the emperors in forts but constant wars among the different quarters battling to eliminate one another had led to the shift of commoners to the southern regions such as Fujian and Guangdong provinces. There, the people began to build their new homes but unfortunately they were met with robbers and bandits. As such, the people themselves decided to build a ‘big house’ so that they could stay together. It was a show of strength and a great example of how everyone could be protected by sheer unity. Besides, the most interesting elements about these structures were the escape routes and embrasures.
It was a show of strength and a great example of how everyone could be protected
by sheer unity.
The Fujian Tulou or simply known as ‘earth buildings’ were built during the Sung dynasty and its building materials relied heavily on available raw materials such as stones, wood, bamboos and most important, the sand, soil and clay. These buildings come in all shapes and sizes depending on the earth structure and the weather in that area. The main purpose is to create a strong structure with sufficient ventilation and light. In short, these Tulou were well-structured and safe for residents while able to house between 200 to 800 people.
The Hakka and Minan villagers in Fujian were those responsible for constructing these buildings. The buildings could be distinguished in two categories, one being the standalone unit and the other being the cluster type. Although there were many Tulou in the province, only 46 were regarded as UNESCO World Heritage Sites.
Eryilou, also known as ‘The King of Tulou’, was the largest single unit built in 1770 consisting of four floors from the outside layer and another floor inside. It possesses an impressive outer ring diameter of 71 metres with 48 rooms on each level. Tourists are allowed to visit this building where the residents offer a wide range of local handmade products and souvenirs. Not to mention one would be amazed when walking up and looking into the rooms that were once living quarters. Situated not far from Eryilou were the Nanyanglou and the Dongyanglou. The former is now a museum and the latter was converted to a performing area to entertain and educate visitors on its unique culture.
On the other hand, the Diaolou entered the Chinese architectural scene during the Ming dynasty until right before the end of the Chinese Republic era. Similar to the Tulou, these high towers most combines of Western and Chinese style were built as protection in response to local banditry. There were more than 3,000 of such towers in the past but today, only around 1,800 remain of standing, most of which are unoccupied if not abandoned. The construction of these buildings were mainly funded by overseas Chinese with the hope that their immediate and extended family members could have a safe place to protect themselves when necessary.
Built with stones, bricks or concrete, these tower-like buildings were very well-equipped with solid prison-like bars and thick metal windows to shelter against any shooting or force entry. Furthermore, there were special embrasures created to take aim at intruders. The Zilicun village was among the best preserved architecture site and it contributed to the largest number of Diaolou recognised by UNESCO. Walking up these old buildings allow visitors to experience how people lived in these tall buildings that were designed not only with relatively small rooms but also narrow staircases with plenty of steps. Nonetheless, the view from the building was breathtaking. Another not-to-be-missed attraction was the luxurious Li Garden with private canal, beautiful gardens and six villas built by a wealthy Chinese emigrant businessman living in the USA. Not forgetting a Diaolou for emergency protection purposes.
The Tulou and Diaolou were once built for protection but today these fine heritage buildings open their doors to the world showcasing what residents in the past would have done to protect their families and belongings. Perhaps the attitude and the unique architecture will be good research and study materials for generations to come.
The National Gallery of Victoria (NGV) will be presenting a major exhibition of modern and contemporary masterworks from New York’s iconic Museum of Modern Art (MoMA). The international exclusive exhibition is slated to open in June 2018 at NGV International in Melbourne.
The exhibition will feature 150 works including never-before-seen masterpieces in Australia and is the largest instalment of the Melbourne Winter Masterpieces series. It will explore the development of major art movements and represent more than 130 years of radical artistic innovation. Masterworks from MoMA will be on display from June 8, 2018 to October 7, 2018.
Over the years, the Islamic Arts Museum Malaysia (IAMM) has hosted numerous photographic exhibitions to showcase the diversity of Islamic people and culture throughout the world. However, this year, the museum decided to organise its inaugural photography competition and exhibition, entitled “A Spiritual Journey: Islamic Culture and Heritage in Southeast Asia”.
The initiative behind the competition was to inspire creativity among photographers, as well as to document the visual appeal of Islam in Southeast Asia. It is a platform for photographers to immerse themselves in a subject matter that has not been the focus of any photography competition before. Through the eyes of these enthusiasts, the Southeast Asian Muslim cultural identity will be shared with the public and the world, providing new perspectives and understanding of the region.
More than 120 photographers answered the call and submitted their works. This diverse pool of talent not only hailed from Malaysia, but also Indonesia, Thailand, Cambodia, the Philippines, France, Germany and United Kingdom. Coming from different backgrounds, both professional and amateur, these photographers shared their views and perceptions of the Islamic elements of Southeast Asia, which is home to over 230 million Muslims.
They’ve captured various glimpses, from intimate moments of solitary prayer and reflection, to the nurturing of the next generation onto the spiritual path, as well as occasions where Muslims come together, united by faith and community spirit. It is clear from the photographs that the fusion of modern and traditional practice has developed into a unique identity, which can only be appreciated by a journey through the peninsula and archipelago.
The top three photographers – Mazlan Bin Samion, Redzuan Bohari and Rahmat Hidayat, who are all from Malaysia, were presented with Grand Prizes totaling MYR 10,000on the exhibition’s opening day. In addition to the winning entries, the exhibition, which was held at the IAMM’s Open Space Gallery from 14 July until 14 October 2017, also showcased the top 50 photographs selected from the many that were submitted.
The encouraging public response that the exhibition garnered is proof that photography exhibitions continue to have a vital role to play, not only as a visual art form, but as a medium for expression, documentation and understanding.
Cathay Pacific Airways unveiled its new Business Class Lounge at The Pier in Hong Kong International Airport recently after a comprehensive refurbishment. The luxurious lounge is now larger with seating for 550 people.
The Pier Business Class Lounge is divided into “fast” and “slow” lanes where The Food Hall and The Noodle Bar are located in the “fast” lane. This is where passengers can find an array of food and beverages such as coffee and noodles.
There is also a Tea House especially for those craving a soothing drink amidst a tranquil environment while the slow lane is where passengers can put their feet up in the lounge seating equipped with built-in reading lamp and side tables.
Passengers can freshen up in one of the 14 shower suites and a relaxation room for a calm and stress-free experience in order to wind-down and refresh themselves.